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July 23, 2015

Learning Hollywood in the Holy City

Rita (Yijing) Zhang, 22, of Beijing is navigating several historic “walls” as she builds her career as a filmmaker. 

It started in China, where Zhang recently worked as an assistant on the set of Matt Damon’s upcoming film, “The Great Wall.” Now, the international student at Columbia University has set her sights on a different wall — the Western Wall — or at least what it represents: the survival of the Jewish people.

Zhang is one of 22 aspiring filmmakers spending the summer in Israel as part of the second annual Jerusalem Film Workshop, a six-week crash course in filmmaking with the Holy City as their production playground.

“It wasn’t a specific goal to go to Jerusalem and Israel to visit,” Zhang told the Journal during the June 29 orientation, held at Jerusalem’s first American-style, state-of-the-art multiplex, Cinema City. “But it has been somewhere on my mind for a long time to discover this extremely old and interesting culture and how it keeps on surviving for such a long time, similar to Chinese culture.”

Zhang is among the few non-Jewish participants, who hail mostly from the United States and this year include budding filmmakers from Argentina, Croatia, England, France and Panama. They come with a shared passion for filmmaking or Israel — but more often both. 

Judy Kim, 20, is from San Diego and is a film student at Rhode Island School of Design. She felt drawn to Jerusalem because her uncle, an archaeologist, works on digs in Israel. A Christian of Korean descent, she interned last summer for a production company in South Korea that produced documentaries about Israel. 

“This is a good way to collaborate and make one film — and I think that’s closer to what happens in the industry,” Kim said. 

This will be the first time she’ll see her own film through from start to finish; each year, the program divides participants into teams to complete a documentary that will be showcased at the Jerusalem Film Festival, which this year took place from July 9-19, after which they put their energies toward a short fiction film. 

The program is the brainchild of Gal Green-
span and Roi Kurland of Green Productions, an Israeli production company whose most recent pride is the Israeli film “Youth.” The inspiration came during their service in the Israel Defense Force’s (IDF) prestigious film unit.

“When we were 18, we went to a film course in the IDF where each soldier that comes to the army, to the film unit, undergoes a month-and-a-half course with the best Israeli filmmakers who come as reserves, and they teach you how to make films,” Greenspan said, speaking from his office in Ramat Gan.

This year, master classes are being given by Israeli industry leaders whose films were either nominated or shortlisted for an Academy Award, including Tom Shoval of “Aya” and “Youth,” himself a protégé of Oscar-winning director Alejandro Inarritu (“Birdman”). Sponsors such as Onward Israel of the Jewish Agency, Bank Hapoalim, United King Films, the New Fund for Film and Television, and the Jerusalem Film and Television Fund have enabled Greenspan to keep costs down to $4,400 per person, covering accommodations at the Hebrew University of Jerusalem, instruction at the city’s Ma’aleh School of Television, Film & the Arts, and equipment and supplies. The City of Jerusalem is an active partner, continuing its trend of offering incentives for filmmakers to shoot in the capital.

Natalie Portman shot her directorial debut, “A Tale of Love and Darkness,” in Jerusalem, and Richard Gere recently made the ascent for “Oppenheimer Strategies” by Israeli director Joseph Cedar. NBC Universal’s television series “Dig” was shot on location in Jerusalem last year until Operation Protective Edge erupted. And two animation studios have been built in the city, already drawing the interest of Disney and Technicolor. According to Yoram Honig, director of the Jerusalem Film and Television Fund, Jerusalem now holds 20 percent of the market share of Israeli productions, compared to 5 percent two years ago. 

“I believe that when you put the camera in Jerusalem — wherever you put it — you have a film in front of you,” Greenspan said, explaining why he chose to place the program in Jerusalem. “It’s such a complex city that it’s a movie in front of your eyes.”

While the workshop is designed to provide an “Israel experience,” Greenspan said the focus of the program is cinema, not Israel advocacy. This year, teams selected their cinematic subjects from among predetermined organizations or personalities that reflect the broad range of political, cultural, social and religious layers that characterize the city. 

Greenspan’s advice to the neophytes was simple: “Tell good stories, great stories — then your film will be great.”

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Gunman opens fire at Louisiana theater, kills 3, injures 7

A lone gunman opened fire inside a crowded movie theater in Lafayette, Louisiana, on Thursday evening, killing two people and injuring seven others before taking his own life, police said.

The gunfire erupted during a 7 p.m. CDT showing of the film “Trainwreck” and took place almost three years to the day after a massacre at a cinema in Aurora, Colorado, that killed 12 people.

Lafayette Police Chief Jim Craft said two people died in the hail of bullets before the 58-year-old suspect killed himself with a handgun as officers rushed to the scene shortly after 7:30 p.m.

Seven people suffered injuries ranging from non life-threatening to critical, Craft said.

Authorities said they knew the gunman's identity but were not releasing his name during the early stage of the investigation. They offered no immediate motive and did not disclose any clues they might have found.

“The shooter is deceased. We may never know,” Craft said, adding that the man appeared to have a criminal history that he described as “pretty old.”

Police officials said that bomb-sniffing dogs had alerted on a backpack inside the theater and that they had also signaled “suspicious” items inside the suspect's car. A robot was being used to probe the vehicle further.

Investigators also headed to the gunman's home. His body remained inside the theater several hours later. None of the victims, who were described as ranging in age from teens to early 60s, were immediately identified by authorities.

Witnesses said the gunman abruptly stood up in the darkness of the theater about 20 minutes into the movie and began shooting.

“He wasn't saying anything. I didn't hear anybody screaming either,” Katie Domingue, who was watching the film with her fiance, told the local Advertiser newspaper.

Republican Louisiana Governor Bobby Jindal traveled to Lafayette, a city of about 120,000 people roughly 55 miles (90 km) southwest of Baton Rouge.

“As governor, as a father and as a husband, whenever we hear about these senseless acts of violence it makes us both furious and sad at the same time,” he said at a briefing.

Jindal said that two of the wounded victims were teachers and that one of them managed to pull a fire alarm in the theater after being shot.

The shooting came three years after a gunman opened fire at a movie theater in Aurora, Colorado, during a midnight screening of the Batman film, “The Dark Knight Rises”, killing 12 people and wounding 70 others.

James Holmes, a former neuroscience graduate student at the University of Colorado, was convicted last week on 165 counts of murder, attempted murder and explosives in the July 20, 2012, rampage.

Jurors in that case were trying to determine if Holmes should face the death penalty or life in prison during a penalty phase of that case.

The United States has witnessed several mass shootings in the last two months.

A gunman is accused of a racially motivated shooting at a black church in South Carolina that killed nine church members in June. More recently, a gunman attacked military offices in Tennessee last week, killing five U.S. servicemen.

Jindal, who last month announced his candidacy for president, said he had ordered National Guard members at offices and other facilities to be armed in the wake of the Tennessee attack.

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Obituaries: Week of July 23

Madeline Fish died June 19 at 91. Survived by son Lawrence; 1 granddaughter. Hillside

Raymond Fox died June 17 at 92. Survived by sons David (Laure Meltzner), Daniel (Anne). Mount Sinai

Myrna Rhoda Gold died June 16 at 80. Survived by daughters Ivy (Ethan) Stein, Debra (Stacy) Harris; 3 grandchildren; sister Fran Feinman. Groman Eden

Marilyn Goldin died June 19 at 81. Survived by husband Sherwin; son Robert (Tammy); 2 grandchildren. Groman Eden

Eli Morris Guttman died June 19 at 88. Survived by wife Joan; sons Ken (Marla), Steven (Tami); 4 grandchildren. Groman Eden

Robert Heyward died June 21 at 30. Survived by father Andy; mother Evelyn; brother Michael; sister Bianca. Hillside

Burton Horwitch died June 18 at 89. Survived by wife Roberta; daughters Lisa, Debbie (Todd) Molnar; son Rick (Amy); brothers Arnold (Penny), Elliot (Adrianne); 5 grandchildren. Hillside

Beatrice Morris died June 19 at 94. Survived by daughter Trish (Vaugh) Hilburn; daughter-in-law Kathy; 3 grandchildren; 8 great-grandchildren; sister Rosamund Felsen; brother Bernard Faibish. Mount Sinai

Sol Moss died June 17 at 92. Survived by daughter Carole (Yehuda) Hadari; son Michael (Ruth); stepsons Robert (Kitty) Rozdial, Moshe Rozdial; 8 grandchildren; 9 great-grandchildren; sister Bluma Samuels. Mount Sinai

Julius Moster died June 19 at 94. Survived by wife E. Muriel; sons Richard (Beverly), Ross (Laura Lee); 1 granddaughter. Mount Sinai

Julie Anne Rifkind died June 17 at 54. Survived by brother David (Helen); sister Donna (Joseph) Purdy; 5 nieces and nephews. Mount Sinai

Harriet Sylvia Rockoff died June 18 at 85. Survived by husband Harley; daughters Lisa, Meryl, Carrie; son Ronald; 3 grandchildren; sister Evelyn. Groman Eden

Gloria Rothstein died June 21 at 85. Survived by son Jerald; daughters Randi Richtiger, Laura (Jerome) Friefeld; 2 grandchildren. Hillside

Avigail Rubanoff died June 18 at 85. Survived by husband Joseph; son Haim (Varda); daughter Annie (Peter Arpesella) Wood; 3 grandchildren. Chevra Kadisha

Hermina Beverly Spero died June 12 at 86. Survived by daughters Shelley Spero Oseas, Marti Spero Radosevich (Louis Radosevich); 2 grandchildren. Groman Eden

Herbert Weiner died June 20 at 86. Survived by wife Kay; daughters Laura (Larry) Greene, Debra; son Brad; 5 grandchildren; sisters Sandra Sternfeld, Irma Kaplan. Hillside

Samuel Zoldan died June 17 at 94. Survived by daughter Eva (Robert) Tuchband; 6 grandchildren. Mount Sinai

Obituaries: Week of July 23 Read More »

Ben Zion Bergman, rabbi and Joint Beit Din founding member, 91

On June 22, Rabbi Ben Zion Bergman passed away peacefully in his home at the age of 91. Known for his kindness and sense of humor, he was revered in the Jewish community and loved by his friends and family, who called him “Benzi.”

Bergman was ordained at the Jewish Theological Seminary and led congregations in Burbank, Encino and Sierra Madre (once calling himself the “Padre of Sierra Madre”). He earned his juris doctor degree from the University of the San Fernando Valley and was admitted to the California Bar before becoming adjunct professor at Loyola Law School. 

Bergman found his calling as a scholar of Jewish law and later proved instrumental in the founding and success of many Jewish institutions, including the Joint Beit Din of the Conservative Movement. He was a member of the Rabbinic Assembly’s Committee on Jewish Law and Standards and an influential authority in mikveh, the halachic ritual bath. In 1981, he designed the mikveh at American Jewish University and went on to travel the country consulting with other institutions on their design and construction of mikvaot.

Rabbi Ben Zion Bergman is survived by his wife of 69 years, Bella, son Avi, daughter Aviva and granddaughter Alexa.

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Desert University is an oasis for medical research

Ben-Gurion University of the Negev (BGU) is Israel’s only university not found in the northern part of the country. This geographic anomaly, however, has not prevented the 46-year-old institution from excelling: BGU was ranked 30th in the 2014-15 QS World University Rankings’ “Top 50 Under 50.” The university is also collaborating with the Israeli government, the city of Beersheba and private industry to turn this desert region into a global cybersecurity and technology capital. 

One of the university’s established strengths is medical research and technology. As one of nine journalists who recently visited BGU during an American Associates, Ben-Gurion University of the Negev-sponsored media mission, this reporter got a look at some of the innovative research happening in the field of medicine. 

If David Ben-Gurion, the country’s first prime minister, could meet the researchers at his namesake university, he would probably see in them the pioneering spirit he embodied. As the statesman once said, “The difficult we do immediately. The impossible takes a little longer.”

Helping the body rebuild itself 

Smadar Cohen, founder and director of BGU’s Regenerative Medicine and Stem Cell Research Center, and her colleagues have developed a gel-like substance made from seaweed that helps support regrowth of body tissues. They are using it to reduce damage to heart tissue after a heart attack. When the substance is injected into the heart after a heart attack, it forms a sort of temporary matrix that supports the injured heart tissue and prevents the loss of function that normally occurs. 

Emil Ruvinov from Cohen’s lab explained that the substance is injected in liquid form, but thickens in the heart and seems to strengthen the area and stabilize heart function. Within about two months, it dissolves and is naturally excreted from the body.

Also applying the idea of creating a matrix to promote the body’s natural processes is Hanna Rapaport in the department of biotechnology and engineering. She is using small proteins called peptides to help bones regenerate. 

Rapaport, who did her postdoctoral training at Caltech, is combining peptides that can absorb calcium with ones that can form fibers to create an environment where bone tissue can regrow. She has also created a coating that can help integrate metal bone implants with the natural bone tissue around it. This could potentially promote more successful joint replacements.

Detecting brain trauma in athletes

Even the National Football League (NFL) has acknowledged that frequent, forceful blows to the head can cause serious brain damage to players. Actuaries hired by the NFL estimated that nearly one-third of retired players would develop long-term cognitive problems. 

Dr. Alon Friedman of the Zlotowski Center for Neuroscience at BGU has found that even some amateur football players show signs of brain injury, likely stemming from the constant and repeated small impacts they experience. Friedman and his team have detected damage to the blood-brain barrier, the body’s protective mechanism for preventing most substances in the bloodstream from entering the brain and spinal cord. 

Itai Weissberg, one of Friedman’s doctoral students, explained how their novel use of MRI created “a window into the brain” to reveal damage by showing whether an injected dye dissipates or accumulates in the brain. “This tool can detect very small but important changes,” he said.

Weissberg said they would eventually like to see such diagnostic tests become part of an athlete’s regular exam, as well as a way of determining when an injured player is ready to return to the field.

Unplugging sleep analysis

An estimated 50 million to 70 million Americans have a sleep disorder, which poses two problems. First, many of them are unaware of their condition (although their sleeping partner may be painfully aware of it). Second, getting a diagnosis currently requires an expensive and not terribly convenient night hooked up to wires for a polysomnography test, which measures brain, heart and muscle activity.

Yaniv Zigel, head of the biomedical signal processing lab at BGU; Ariel Tarasiuk, professor of physiology and cell biology; and Eliran Dafna, who conducted research as part of his doctorate, have developed what they hope will be an easier, less invasive way to detect sleep problems such as sleep apnea, snoring and insomnia. 

Their breathing sound analysis algorithm analyzes a sleeper’s breathing sounds to measure sleep duration and detect sleep disorders. The sounds can be collected using a simple recorder, and thus don’t require any sensors or wires. Eventually, they hope to make the technology available via a smartphone app. 

Using nature to design robots

David Zarrouk, director of the Bioinspired and Medical Robotics Laboratory, believes that nature can provide inspiration for designing the most effective and energy-efficient robots. His lab focuses on robotic applications for medical, agricultural and search-and-rescue purposes. 

Using the cockroach as a model, Zarrouk and his team created a robot with jointed legs that can go over, under or around obstacles. Another robot, using the inchworm as inspiration, can propel itself through a tube. This type of mechanism might eventually be used inside the body, for example, to collect images and information in the intestines.

Zarrouk believes that the simplest answer is the best answer, although it can be challenging to achieve. “Everything should be as simple as possible but no simpler,” he said, quoting Albert Einstein.

Using computers to advise physicians, alert patients 

Dr. Yuval Shahar believes that the computer is a patient’s best friend. As head of BGU’s Medical Informatics Research Center, Shahar has developed computer programs that synthesize data from body sensors, a patient’s medical records and established medical guidelines to provide alerts and recommendations. Such systems could remind a patient with diabetes to check glucose levels or alert a physician about a patient’s irregular heart activity. 

In conjunction with the University of Haifa and several European entities, a mobile monitoring system is being tested in Italy on patients with atrial fibrillation (rapid, irregular heartbeat) and in Spain on women who have pregnancy-related high blood pressure or diabetes.

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New law offers Sephardim right of return to Spain

On June 11, the government of Spain unanimously passed a law that attempts to right a historic wrong: It offers descendants of Sephardic Jews who were expelled from Spain in 1492 a less arduous path toward Spanish citizenship. Under the new law, Sephardim seeking Spanish citizenship do not have to renounce their current citizenship, live in Spain or own property there, all of which were previously required for citizenship. 

To discuss this new law, Javier Vallaure, the Spanish consul general in Los Angeles, visited the Jewish Journal office. 

“It was a long process,” Vallaure said. “It started on the first day that we expelled the Jews in 1492. I think many people in Spain felt guilty for doing that. … The Jewish community in Spain was an important community, so important that many historians say that 150 to 200 years later, Spain was still suffering the consequences. Jews were important in philosophy, in the development of language, in banking, in finance, in the arts.” 

The expulsion of Sephardic Jews, Vallaure said, “was the beginning of [Spain’s] decline.”  

Vallaure — whose charm, tact and graying hair bespeak his long career representing the Spanish government in many parts of the world — said the current law makes it easier than ever for Sephardim to get Spanish citizenship. 

The new rules may still be daunting to some applicants. The law states that the process can be started online (beginning Oct. 1) and costs 100 euros ($112) to apply, whether the applicant ends up receiving citizenship or not. Each applicant will have to: present documents verifying Sephardic background; show some connection to Spain, having visited the country or having friends or family there; demonstrate basic knowledge of Spanish language, culture and history; and come to Spain to have the application and original documents notarized. (This last requirement can be waived if the applicant is disabled or under 18. In either of these cases, a legal representative will have to attend the interview.) This path to Spanish citizenship will be in place during a period of three years and could be extended for one additional year. 

The law itself does not spell out specific requirements for demonstrating Sephardic roots; each application will be evaluated in its totality (valorado en su conjunto). Applications can include supporting documents from a rabbi at a Sephardic synagogue or from leaders of Sephardic organizations. They also should include birth, marriage or death certificates, or any other official document that provides evidence of Sephardic origin, such as Sephardic names in the family. All documentation must be translated into Spanish and will first be assessed by the Madrid-based Federation of Jewish Communities in Spain. 

The level of knowledge of Spanish language required for citizenship will be what’s known as A2: familiarity with commonly used words and expressions, both written and spoken (those who come from Spanish-speaking countries are exempt). However, no one is exempt from being tested on his or her knowledge of Spanish history and culture. The Cervantes Institute, a cultural division of the Spanish government that has branches all over the world, including in various cities in the United States, will administer these exams.

“These conditions look complicated,” Vallaure said, “but they are not. You don’t have to present all of these papers and all of these documents. Just some. Not just that your name is, for example, Toledano [a common Sephardic name], but that you have kept [up] some relationship with Spain throughout the years. The idea is to make the process easy for Sephardics, not to put obstacles in the way.”

Sara Elena Loaiza, founder and managing partner of Latino Consultants, an L.A.-based “social-cause marketing” firm, told the Journal that, whatever the obstacles, she’ll be applying for Spanish citizenship under the new law. She said she feels very much at home in Spain, a country she visits every year. “My ancestry is from Santander, so I would prefer to go there to apply for this, especially since I understand the culture and speak the language. It’ll be a beautiful memory, to apply for citizenship in Santander, where my family is from.”

Loaiza’s mother’s maiden name was Mortera. The Spanish government, as part of this offer, has issued a list of 5,000 last names which can be used as a factor in showing Sephardic roots. Mortera is on the list, spelled in its variant form, Morteira. 

Another name on that list is Nahom, a variant of Nahoum. Bonita Nahoum Jaros has carried on a double career as an academic administrative professional at Santa Ana College and as a singer. She  has traced her family roots back to “specific cities in Spain. … During a trip to Spain, we even found a ketubah [Jewish marriage contract] in Toledo with the name Nahoum on it — my maiden name.” 

Jaros grew up in New York in a “Ladino-speaking enclave” and said her most recent recording, “Kantigas de Mi Chikés” (“Songs of My Childhood”), is “a compilation of 34 [Ladino] songs, each dedicated to a different friend or relative, all of Sephardic background.”

She intends to apply for Spanish citizenship because of her “longing for the motherland,” while also trying to understand why “we Jews became aliens from the land we lived in for centuries and to which we contributed mightily.”

In the run-up to the law’s enactment, some opined that Spain is taking this step because of contributions Jews might make to the Spanish economy. Vallaure pointed out that the path toward citizenship does not require applicants to have a certain economic status: Sephardim can apply regardless of income or net worth. Moreover, he said, the application fee covers Spain’s administrative costs to process an expected 90,000 applications.  

Vallaure made clear that, from his country’s point of view, this is a “spiritual matter.” 

“[The] Spanish are … a very sentimental people,” Vallaure said. “So we ask ourselves: Why did we do that to the Jews? They were nice people who contributed to society. So, why? That’s why there was no debate in the Spanish Parliament or in the media.”

Even though there were no dissenting votes, there was, in fact, some debate. During discussions about the proposed act, one member of the Spanish Parliament asked why the Jews are being offered this option and not the Muslims (or Moors), who were expelled at the same time.

It has been pointed out that — unlike the Jews—Moors invaded Spain in the eighth century as conquerors. They were expelled 800 years later when Spain unified under Ferdinand and Isabella. Given the bloody battles between Catholics and Moors — Spanish leader El Cid is the symbol of that struggle — it’s likely that the Spanish people’s residual memory of Moors is different from how they remember the Jews who once lived among them. Even the Parliament member who raised this question did not vote against the law.

Moreover, it’s clear that Sephardic Jews, during their Diaspora, have maintained emotional ties to Spain. The preamble to the law expresses this in a poetic way. 

“Wherever they’ve lived,” the preamble states, “the children of Sepharad have remained nostalgic about Spain. … They’ve used the language of their ancestors [Ladino or Haketía, which are Spanish dialects] for their traditional prayers and recipes, for their games and poetry. They’ve carried on their Spanish customs, they’ve used last names that invoke their Spanish places of origin, and accepted without rancor the silence of a country that had all but forgotten about them.”

As Vallaure sums it up: “As King Juan Carlos has said many times, [Sephardim] are Spaniards. … It’s not that we want the Jews to feel nostalgic about Spain, or to feel [as if] they are at home in Spain. No! When Sephardic Jews are in Spain, they are home.”

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L.A. Federation issues strong opposition to Iran nuclear deal

The Jewish Federation of Greater Los Angeles released a statement July 21 expressing strong opposition to the recent nuclear agreement reached in Vienna on July 14 between Iran and the United States, European powers and China, also known as the P5+1.

“We encourage members of our community to raise their voices in opposition to this agreement by contacting their elected representatives to urge them to oppose this deal,” Federation’s statement said.

The email sent out by Federation came four days after two other major Jewish Federations — in Boston and Miami — urged Congress to reject the agreement and asked community members to urge their elected representatives to scuttle the bill. Congress has until mid-September to vote on the nuclear agreement. 

If the agreement is approved, the U.S. would join the United Nations and European Union in lifting nuclear-related sanctions against Iran in return for a temporary curb on that nation’s nuclear weapons program. If it is rejected, Obama would almost certainly veto the bill, which would then require a two-thirds majority in Congress to override the veto. If Congress reached that two-thirds majority, then all U.S. sanctions against Iran would remain in place even though the U.N. and E.U. ones would be lifted.


“No matter what happens, we felt it was important to make a strong statement at this critical time. It’s important to sometimes stand up.” — Jay Sanderson, Federation president and CEO

The L.A. Federation’s public opposition to the nuclear agreement particularly stood out given that it rarely takes such explicit stands on major issues. Federation president and CEO Jay Sanderson said during a telephone call just before he boarded a flight on July 21 that this is the first time he remembers Federation taking a public stand on such a major issue since his tenure began in 2010.

“This is a very unique time,” Sanderson said. “After reading it several times and talking to leadership, we felt like it was important for our Federation to make a statement about how we feel about this, its impact on the United States of America and its potential negative impact on the State of Israel.”

The email sent out was five paragraphs long and urged Congress “to oppose the joint Comprehensive Plan of Action on Iran’s Nuclear Program.” 

The Federation’s statement also said that while it wants a “diplomatic solution” to Iran’s nuclear program, the terms of the deal “will hasten the creation of an Iranian hegemony in the Middle East.”

“The proposed agreement allows Iran to remain a threshold nuclear state, does not allow for ‘anytime, anywhere’ inspections of Iranian nuclear facilities, and offers immediate rather than gradual sanctions relief without requiring Iran to address the military dimensions of its nuclear program,” the statement read. “The proposed agreement releases Iran from arms embargos in five years and ballistic missile sanctions in eight years.”

On July 14, after the agreement’s announcement by the P5+1 and Iran, the Jewish Federations of North America released a statement that neither endorsed nor opposed the agreement but instead urged Congress “to give this accord its utmost scrutiny.”

Sanderson said the L.A. Federation decided to publicly oppose the agreement after he and other officials had time to read the bill and consult with outside experts, including local politicians, whom Sanderson declined to name.

“We’ve been concerned and monitoring the situation for a very long time and spending time talking to our local Congress people and to other people involved in this process,” Sanderson said. “We only did this now when we felt this was an important moment for our community.”

Asked how he thinks a congressional vote (and veto override) to reject the nuclear agreement with Iran would impact the political landscape, Sanderson responded, “I’m not in a position to comment on what if Congress takes this agreement down and what happens afterward.

“No matter what happens, we felt it was important to make a strong statement at this critical time,” Sanderson continued. “It’s important to sometimes stand up.”

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Margulies goes on the road with ‘End of the Tour’

The work of Pulitzer Prize-winning playwright and screenwriter Donald Margulies (“Dinner With Friends”) long has explored the struggles of the modern artist. After newspapers panned a couple of his early plays, and after the brisk closing of his Manhattan Theatre Club debut, “What’s Wrong With This Picture?” near the beginning of his career, Margulies penned his 1991 breakout play, “Sight Unseen,” about a superstar painter grappling with his Jewish identity as well as the trappings of his success. 

That play earned Margulies a Pulitzer Prize nomination, as did his ensuing play, “Collected Stories,” in which a student appropriates her Jewish mentor’s memories of a youthful love affair to write her own breakout novel. “Brooklyn Boy” revolves around an established novelist, Eric Weiss, who returns home to visit his dying father and to come to terms with the neighborhood that inspired much of his work.

Now Margulies, 60, has written the screenplay for James Ponsoldt’s film, “The End of the Tour,” based on David Lipsky’s 2010 book, “Although of Course You End Up Becoming Yourself:  A Road Trip With David Foster Wallace,” an account of Lipsky’s five-day Rolling Stone interview with the scruffy but legendary novelist when both were in their 30s. The interview took place in the snowy Midwest as Wallace was finishing his 1996 publicity tour for his magnum opus, “Infinite Jest,” a sprawling, brilliant exploration of ennui among contemporary Americans.

“I seem to continually write about the role of the artist in the world,” Margulies said of one reason he was drawn to the project, during a recent interview in Beverly Hills. “That may hearken back to my having been an artistic kid in a lower-middle-class Jewish unintellectual household in Brooklyn, trying to figure out my place in the world.”

In 2008 — 12 years after being interviewed by Lipsky — Wallace committed suicide by hanging himself in his Claremont, Calif., home after battling severe depression that did not respond even to shock treatments. 

At the time of the Rolling Stone interview, Wallace was feeling relatively stable: “The conundrum dramatized in ‘The End of the Tour’ is his tortured ambivalence about his success,” Margulies said. “He says, ‘I don’t want to appear as someone who wants to be interviewed by Rolling Stone’ — while he’s being interviewed by Rolling Stone. He’s sort of tantalized by the limelight but also dreading it, and hating himself for it. He worries the attention might somehow diminish and taint his work.”

Jesse Eisenberg, who received an Oscar nomination for playing Facebook mogul Mark Zuckerberg in “The Social Network” and portrays Lipsky in “The End of the Tour,” sees Lipsky as an equally conflicted character.

“[He] is not just a writer who admires Wallace, but who actually has some ulterior motives — at worst as a kind of sniper, and at best as a kind of exposer,” Eisenberg, 31, said during a recent interview in Beverly Hills. “But then, of course, while playing the role, I found all these different layers in the character: not just jealousy and competitiveness but also admiration and love.”

During a Q-and-A following a recent screening of the movie in Beverly Hills, Michael Silverblatt, host of KCRW’s program “Bookworm” and a friend of Wallace’s, went so far as to refer to Lipsky as a “douchebag” whose envy of Wallace spurred his approach to the interview.

“But I wouldn’t make that judgment,” Margulies said. “Lipsky in the film is being coached by his editor, who accuses him of not wanting to ask the tough questions because he likes Wallace, and to ‘be a prick if you have to.’ Lipsky does envy Wallace, and he wants what Wallace has, but he also wants Wallace’s approval.”

Eventually, Lipsky does get Wallace to open up about his rumored past heroin addiction (false, Wallace insists) and also about his battles with alcohol and his eight-day suicide watch in a hospital when he was in his 20s. 

“At the time the movie takes place, he’s at a really good point in his journey, but at the back of his mind he knows that that other sensation exists, that it’s around any given corner, and that’s a terrifying thing to live with,” said Jason Segel, 35, who plays the novelist and participated in an interview with the Journal alongside Eisenberg.

Before Margulies wrote “The End of the Tour,” he said, he “couldn’t claim to be a fanboy” of Wallace’s. “I had tried to read ‘Infinite Jest’ 20 years ago, and I just didn’t get sucked into it.”

Fast forward to about four years ago, when Margulies’ longtime manager sent him a copy of Lipsky’s book, written after Wallace’s suicide and compiled from transcripts of the 1996 Rolling Stone interview. The article itself was never published in the magazine because Lipsky’s editors decided to nix the story.

Lipsky’s book came to Margulies with a note suggesting that it might be good fodder for a play. Instead, Margulies envisioned what he calls “a road picture.”

“I was very excited by the prospect of putting David Foster Wallace, one of the great chroniclers of American culture, on the American landscape — just seeing his iconic figure traversing the fast-food joints and the 7-Elevens and even the Mall of America [in Bloomington, Minn.]. … It was only when I read Lipsky’s book that I fully mourned the loss of David Foster Wallace and was drawn to read ‘Infinite Jest’ again, but with a new appreciation,” he said.

As part of his research for the film, Margulies met for hours with Lipsky, who recounted for him an anecdote he did not include in his book: the time that Wallace, incensed over what he perceived to be Lipsky hitting on his ex-girlfriend, aggressively confronted the reporter about the alleged flirting. The incident, which is included in the film, alludes to Wallace’s darker side; as Silverblatt noted during the Q-and-A, Wallace could get “ferociously upset” and had been known to hit some of his girlfriends. 

“I’m surprised that Lipsky didn’t get beaten up,” Silverblatt said.

Eisenberg said he grappled with how to understand Lipsky’s motives during that lengthy interview. As an actor, he is used to being the subject of reportage. In fact, “A few months prior to reading the script, I had done a three-day interview that I thought right at the offset was antagonistic,” Eisenberg said. “So this role pushed me to really think about why a journalist would want to be invasive. I had to learn to identify with the journalist.”

Segel, known for his comedic yet vulnerable performances in comedies such as “Forgetting Sarah Marshall,” said he was drawn to his character because, “The material was in line with stuff I was thinking about at that point in my life, in terms of what was going to make me feel OK. It didn’t seem to be success or money or status. It’s: What happens when things are going as well as they could possibly go and you still feel less than, ‘I’m not there yet,’ and the sense of being part of a ranking system.”

The actors were surprised last year, when Wallace’s family released a statement that said they do not consider the film an “homage” to the late Wallace and that “David would never have agreed that [Lipsky’s] saved transcripts could later be repurposed as the basis for a movie.”

In response, Segel insisted, “Everyone who worked on the film had nothing but reverence for Wallace.”

“Wallace is not just theirs,” Margulies said of the author’s family. “He is a part of our culture [and someone] who has had an impact on a lot of people. And if Lipsky gave us this entrée into learning a little bit more about Wallace and introducing him to a new generation of potential readers, that’s the collateral benefit of all of this.” 

 

“The End of the Tour” opens in theaters on July 31. 

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Ruth Weisberg exhibition captures timeless emotions

The fruits of Ruth Weisberg’s artistic career can’t fit in one room, but a new exhibition, “Ruth Weisberg: Reflections Through Time,” sure is doing its best.

The exhibition at Jack Rutberg Fine Arts runs through the end of August and includes works that reference topics ranging from the Holocaust to the Bible to Peter Pan, a fitting introduction to the celebrated artist. 

“Everything we do as artists, if we’re good, is expressed visually,” Weisberg said recently, sitting in the gallery surrounded by her work. “This,” she said, motioning to the exhibition around her, “really gives a lot of information. The references I make use of, particularly in art history, are on the wall. … I think it’s a wonderful introduction to my work.”

A working artist since the 1960s, Weisberg has had a career producing some truly massive results, including a 94-foot-long drawing retelling Jewish history from a feminist perspective that once was displayed at the Skirball Cultural Center, which was something of a biblical undertaking. 

On view at Jack Rutberg’s gallery are a number of Weisberg’s works on paper that display her fondness for art history.

“In the 20th century, starting with Picasso … there was a very ironic look at the past. They really tried to devalue our history, and that bothered me immensely,” Weisberg said. “I feel an intense connection to art history.

“I’m in conversation with artists I admire, so certainly it’s partly homage, but I also bring my own experience and references,” Weisberg continued. “It’s a real conversation, and I feel like this amazing thing happens where the distance between 16th-century Florence and the present disappears.”

Although Weisberg has great admiration for history’s great artists, she is strongly connected to today’s world. Whether she’s drawing her son, the musician known as Daedelus, or bringing to life a vision of her childhood summers in the Indiana sand dunes in “Neverland,” Weisberg’s work is deeply personal and grounded, even when her figures are floating in midair, as they often do.

“I’m in the present, too, but I like that sense of time travel,” she said. “I have found in Judaism a real analogous activity, which is text study. Here you are, you’re arguing with Rashi. The brilliant gift of Jewish study is that you’re in real intimate contact with Jewish thought … and that’s very much what I’m doing with art history.” 

Rutberg, who has represented Weisberg since the early ’80s, is a fan of Weisberg’s historical flourishes. “I’ve known Ruth since the mid-’70s and admired her as an artist,” he said.

He recalled one of the first times he met Weisberg, at a sparsely attended Los Angeles County of Modern Art talk in the ’70s given by a scholar of Edvard Munch. He noticed a strange sight across the room. “Here was this young woman with a nursing blanket, with her child at her breast, and she wasn’t going to miss this lecture,” Rutberg recalled. The woman was Weisberg.

“I’m always interested in unique and independent visions, and Ruth has a particular sensibility that’s really … it’s this evocation of memory. And I don’t mean in a nostalgic sort of way,” Rutberg said. “There’s something very empathetic about it because it’s a journey. There are some things that are so fixed that they have no further possibility. In Ruth’s work, there is this almost longing — they’re not resolved, in a sense.” 

Some of Weisberg’s works are literally not resolved. She’s currently finishing a second stained glass window for Our Savior Church at USC. Weisberg, the former dean of USC’s Roski School of Fine Arts, was commissioned to do the work despite being Jewish, a product of her long association with the Catholic art community in L.A.

“I have such respect for the history of Catholic art in their churches and cathedrals, it should be an inspiration to all other religions, including Judaism,” Weisberg said.

“Because of the structure, it was going to be the first three days of Creation,” Weisberg said of her first window, which is divided into three sections. “Seven days was not really going to fit, nor fit the structure.”

Weisberg ran into a problem, however: “God does not create the sun or the moon until the fourth day. That’s quite inconvenient, because I wanted the sun and the moon to be in the first section … let there be light … so I did put it in, so it’s the first four days of Creation,” she said, laughing.

The second window will depict the visions of the prophet Ezekiel. Originally the church had wanted something related to the end of days, but Weisberg had to politely tell them that Jews didn’t really believe in Revelation. 

“I’m working on the second window at Judson Glass Studios, which is the most esteemed stained glass studio in the Western United States,” Weisberg said. “They’re just terrific. It’s been in the same family for five generations and the founder was the dean of fine arts at USC.”

When she’s not working on the window, Weisberg has been enjoying a relative year off after being a dean at USC for so long. “I had my ideal year, which was three months in New York, working mostly on prints … then I spent two months in Israel at the Artists’ House in Herzliya … and then three months in Rome,” she said. “That’s the best year I can imagine.”

Rutberg is happy to have Weisberg back in L.A. though. “Ruth is hugely aware of the art world around her, and one of the things that really marks Ruth Weisberg is her constancy,” he said. “There’s an awe for her place in this continuum we’re all a part of, through the highs and the devastating lows.”

 

Ruth Weisberg: Reflections Through Time” runs through Aug. 30 at Jack Rutberg Fine Arts. For more information, visit this article at jewishjournal.com.

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Parsing the Jewish genome

Jewish law holds that Jewish identity is traced through the maternal bloodline, but history cautions us against the dangers of linking blood and religion. From the Spanish Inquisition to the Third Reich, the scrutiny of one’s ancestry has been a matter of life and death for Jews and their descendants. To put it another way, what is written in the Jewish genome cannot be erased.

Elliot N. Dorff and Laurie Zoloth, the editors of “Jews and Genes: The Genetic Future in Contemporary Jewish Thought” (Jewish Publication Society/University of Nebraska Press), are mindful of these dangers, but they insist that genetic science holds special meaning and promise for the Jewish people, a theme that is explored in fascinating and often surprising detail by rabbis, physicians, religious scholars, folklorists and bioethicists in the essays that are collected here.

Dorff is one of our own, a professor and rector at American Jewish University, a visiting professor at UCLA Law School, and a renowned expert on Jewish law and ethics. Zoloth is a professor of bioethics and humanities at the Feinberg School of Medicine at Northwestern University, past president of the American Academy of Religion, and a former president of the American Society for Bioethics and Humanities. 

“Because genetic interventions hold out the promise of being the most effective line of curing diseases since the advent of antibiotics, it is no wonder that representatives of all Jewish denominations have enthusiastically endorsed embryonic stem cell research, genetic testing for diseases, and, if possible, the development of genetic cures,” Dorff and Zoloth write. “This is simply the new form of the Jewish mandate to heal.”

Healing, of course, is not the only use that can be made of genetics, and some Jews persist in looking to their genetic legacy to validate their Jewishness. Rebecca Alpert, a rabbi and professor of religion at Temple University, explains the role (as well as the limitations) of genetic research in determining what it means to be born Jewish. 

“[N]ew discoveries in genetics do not in any way suggest a single ‘Jewish gene,’ ” she explains. “But they do open up new insights about the biological dimension of our identity.” By way of example, she points out that Jews who are regarded as descendants of the priestly caste of ancient Israel, the Kohenim, “have passed on that heritage genetically for several thousand years.”

The starting point of genetic research is a stem cell that is harvested from a petri dish containing a human embryo. So we are quickly confronted with the moral question of whether the petri dish contains only “a clump of cells” or a human life whose destruction is equivalent to murder. The Jewish answer, according to Dorff and Zoloth, is that an embryo is “simply liquid” for the first 40 days of its existence and a body part of its mother for the rest of pregnancy; only at birth does the fetus “attain all the attendant protections of full persons.” This reasoning, which is embraced by both observant Jews and Muslims and by some Protestants, has “led rabbis across the denominational spectrum strongly to endorse embryonic stem cell research.”

The book leads us down some strange byways. While contemplating the claims that the native population of New Mexico includes the “crypto-Jewish” descendants of Spanish Jews who fled to the New World after the expulsion of 1492, Judith S. Neulander, co-director of the Jewish Studies Program at Case Western University, points out the dangers of categorizing someone as “Jewish by Disease” merely because they carry a genetic disorder that has come to be associated with the Jewish population. “[E]ven when Jews and non-Jews share mutations found in significantly higher numbers among Jews, the non-Jewish population is so gigantic compared to the tiny Jewish minority that the vast majority of affected people will always be non-Jews,” Neulander concludes. 

Significantly, some of the richest and most provocative essays in the collection have nothing to do with science. For example, Yosef Leibowitz, a rabbi who founded and directs the Yad Ya’akov Foundation for Jewish Education in Israel, for example, deconstructs the text of Genesis to extract the distinctions between “the nature of the human soul and the image of God within it.” Leibowitz argues that the power bestowed upon humankind by the Creator is always checked by moral boundaries, and the constant tension that exists between power and morality “lie[s] at the core of our humanity.” Contrary to many of his fellow contributors, Leibowitz concludes with an unsettling question: “If God’s ‘image’ is within us so long as our physical bodies are here to embrace it, are we to nurture and protect it from the moment of the first living cell until the last?”

Even more intriguing is Zoloth’s essay titled “Reasonable Magic,” which proposes that talmudic debate over magic can be instructive in the contemporary ethical debate over genetic research. “The real evil is not in knowing nature, or even in the manipulation of nature by this magic, but in worship of the thing,” she explains of a passage in the Mishnah that focuses on, of all things, the gathering of zucchinis. She concludes that Jewish law is tolerant of what she calls “permitted magic, reasonable magic,” including the example of Rabbi Hanina and Rabbi Oshaia, “who, every Sabbath eve, studied the doctrine of Creation, by means of which they created a half-grown calf and ate it.” 

She, too, concludes with a question: “What is sorcery? What is research? What magic is permitted to us?”

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