Filmmaker Pearl Gluck, living a secular life in Manhattan, must answer to her father, who wants her to marry and return to the Brooklyn Chasidic community she left behind as a teenager.
Furniture, vital in everyday life, hardly ever plays a large role in art. Henry James\’ \”The Spoils of Poynton\” comes to mind, in which the characters\’ inner lives are manifested in their dreadful fight over inherited furnishings, as do stories by Anzia Yezierska, in which the meager possessions of immigrant Jews on the Lower East Side come to symbolize both their survival and their salvation. But for the most part, as in much of our lives, tables, chairs, sofas, bureaus, cabinets and the like are taken for granted in art, imbued with little meaning.
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