Vocal Musicians Make a Joyful Noise
Human voices converge on the same note, echoing a haunting harmony — arousing complicated emotions.
This has been the buzz surrounding an award-winning Jewish a cappella group, Shir Appeal, a group of college students from Massachusetts, who will bring their hypnotizing harmonies to Orange County’s Temple Bat Yahm (TBY) for Shabbat evening service, Jan. 16. The group was named after Tufts University’s mascot — Jumbo the Elephant. The Hebrew phrase shir hapeal means "song of the elephant."
A cappella, Italian for "in the style of the chapel," is a term used to describe a type of music composed of entirely human voices.
A student-run organization, Shir Appeal receives no funding from their student government, and sustains their costs with CD sales, which feature Jewish folk songs, Israeli pop songs and liturgical music.
This year marks the group’s return to TBY in Newport Beach, also home of operatic cantor Jonathan Grant. The 15 members of Shir Appeal have been invited to stay with TBY congregants and will sit in a place of honor among the temple’s choir.
"Where ever there’s a sizable Jewish population [at a college], you’re bound to find an a cappella group," said Rebecca Bromberg of Shir Bruin, UCLA’s Jewish a cappella ensemble, who also co-founded a Jewish a cappella group in 1997 at Emory University in Atlanta.
Bromberg cites Columbia University’s Pizmon, which formed in 1987, as popularizing American Jewish a cappella on college campuses. As secular a cappella gathered steam in the 1990s, marked by the formation of major a cappella societies, Jewish a cappella also became more popular, especially among youth on college campuses. Techiya of MIT formed in 1994; Shir Appeal in 1995; Shircago, of the University of Chicago, in 1996; as well as a slew of others on university campuses whose participation waxed and waned over the decade — including Harvard, Brandeis and Boston and New York universities.
During the spring of this year, the University of Chicago hosted "Striking a Chord," the first-ever, all-Jewish Midwest a cappella festival, attracting groups from around the Midwest.
The San Francisco-based Contemporary A Cappella Society, a loose association of amateur, semi-pro and professional a cappella artists, recognizes groups that have produced a commercially available body of work with a Contemporary A Capella Recording Awards (CARA). Like the mainstream recording industry’s Grammy Awards, a CARA is given to artists in many categories. Groups with limited distribution also qualify for recognition, said Jessika Diamond, former vice president of the Contemporary A Cappella Society, however, they are less likely to have the resources to create a recording with high production values.
"This year is the first time in the history of the CARA competition that any religious group did as well as Shir Appeal," Diamond said.
Shir Appeal took home the award for "best collegiate song" and runner-up for "best collegiate album."
This year, approximately 60 volunteer a cappella aficionados judged the CARAs. Among them was the society’s representative, Greg Bowne, of Massachusetts.
"[Shir Appeal] used their voices in such a great way that really conveyed power and emotion in the song," Bowne said.
After the competition was over, Bowne said he kept listening to their recording, impressed with the group’s strong sound.
Two of the group’s songs were also featured on the "Best of College A Cappella" CD, a production of the International Championship of Collegiate A Cappella (ICCA), which Diamond directed from 1999 to 2003. The ICCA attracts a cappella groups worldwide and encourages them to submit recordings of their best songs for a competition. Out of thousands of submissions, 18 songs are selected for a compilation CD, "The Best of College A Cappella," released every year. Shir Appeal won coveted spots on the 2000 and 2003 collections.
Before their Newport Beach appearance, Shir Appeal performs in Los Angeles with Shir Bruin, the Scattertones and another UCLA-affiliated a cappella group on Jan. 11.
Cantor Grant said he expects the group to sing a 17th-century selection by Solomone Rossi, called "Eftach Nai S’Fatai" (God Please Open My Lips), and a unique arrangements of "Shalom Aleichem" and "Shalom Rav."
"I also look forward to the Israeli popular selections they will sing at our Shabbat dinner program," he said.
For information about the Jan. 16 appearance at Temple Bat Yahm, call (949) 644-1999.