I first met Kalman a little over a year ago, at his humble home and painting studio in Beverly Hills. His spirit and personality were that of a much younger man than the 93-year-old gentleman that was in front of me.
He gave me an incredible tour of his modest home, and then gave me the history of a few of the hundreds of master artworks that were all over the apartment. I felt like I was getting a tour of a miniature Louvre. Every painting was a masterpiece;It was beyond impressive.
Our first meeting was a lovely time, as lovely, as a person could have. Kalman allowed me to film him for the first two hours, and gave me the rights to his life story. We then broke bread and spent time talking about his career and his time in seven Nazi concentration camps.
“I made it through the Holocaust with a pencil,” Kalman declared, with a Cheshire cat grin.
A Nazi guard came before him with a machine gun, and he was able to draw an exact portrait of the guard in real time. The guard was so impressed that this was the beginning of a Kalman Aron seven Nazi concentration camp tour.
What makes Mr. Aron’s story so very different and unique than any other Holocaust story that one has heard, was that he was treated relatively well, during the entire four and one-half years he was interned.
“I would tell the Commandant or the guard I was painting, if I could just get a little more cheese and bread, I could paint much quicker,” he said with a smile. “This worked often,” says Kalman.
He then told me he was even able to get the Nazis guards to give him extra blankets.
“I had to always be thinking,” said Kalman.
The next time I would meet Kalman, I would bring a very special guest. Now that I had the rights to his life story, I began looking for partners and Executive Producers. I had met Norman Lear 10 years earlier, when he had written me a sizable check for my award-winning film, “Unbeaten.”
I called Norman up, and told him about this incredible man, and asked if he had time to meet him. Mr. Lear did not flinch. The meeting was set, and on a warm Tuesday morning in September 2017, I walked into Kalmans home with the greatest and kindest most iconic TV producer in the history of Television.
When these two nonagenarian’s met, it was like they had known each other all of there lives. There was laughter. There were tears, and there was great admiration for one another as artists. There was also great profoundness as Norman was a B-17 gunner and radio man, and actually dropped bombs very close to where Kalman was interned. The Nazis could not kill Kalman, and neither could Norman Lear!
The next few months, I would have dinner and lunch with Kalman a few times, and I was very fortunate to be able to have NPR do a global story on him on the program, The World, with Marco Werman. Little did I know at the time, this would be my last time seeing Kalman.
In early January, Kalman took a fall, and would be admitted to Cedars. Always the fighter, he was released in a week, and was back home painting. A month later he would take a turn for the worse, and on Feb. 24th, the world lost one of its greatest global citizens.
My time with Mr. Aron was brief, but very, very rich. He produced thousands of paintings through out his long life, including portraits of Ronald Reagan, Henry Miller and Andre Previn, just to name a few. Kalman was the father of ‘”Psychological Realism”
Kalman brought love, joy and peace to all who knew him. Mr. Aron beat the Nazis with a pencil, and he strove for greatness in everything he did. Kalman Aron was a master painter, and very great man. Kalman personified all that is good in human kind. He will be missed.
Steven C Barber is a writer ,director and producer residing in Santa Monica, California. His work can be found at www.vanillafire.com.