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Spectator – ‘Devil’ Is in the Details

An enjoyable chick-lit book, \"The Devil Wears Prada,\" in movie form follows the novel\'s storyline, with slight modifications to the plot that only enhance our understanding of Andy\'s dilemma. And for the fashion buff, the insider\'s view of the inner workings of a haute couture, albeit fictional, fashion magazine are amusing.
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June 29, 2006

The film adaptation of Lauren Weisberger’s 2003 New York Times best-selling novel, “The Devil Wears Prada,” which hits theaters on June 30, follows recent college grad Andy Sachs (Anne Hathaway) as she takes on the dubious job of assistant to the editor-in-chief of the most prominent fashion magazine in New York: Runway. Her job, as it turns out, is not at all about journalism, but rather catering to the boss from hell, Miranda Priestly (Meryl Streep), who makes absurdly vague demands and expects immediate results. After nearly a year, Andy must decide whether succeeding at her career trumps keeping her sanity.

An enjoyable chick-lit book, “The Devil Wears Prada,” in movie form follows the novel’s storyline, with slight modifications to the plot that only enhance our understanding of Andy’s dilemma. And for the fashion buff, the insider’s view of the inner workings of a haute couture, albeit fictional, fashion magazine are amusing.

One dramatic difference, however, is that in the film, Andy is no longer identified as Jewish. Ditto for the Miranda Priestly character, rumored to be based on legendary Vogue editor-in-chief Anna Wintour, who was born Miriam Princhek into an Orthodox Jewish family. Despite the importance of Judaism to the main characters in the book version, Fox 2000 opted to exclude any religious references.

Hollywood is actually quite adept at changing Jewish literary characters into generic, unaffiliated characters on screen. “In Her Shoes,” for example, a 2005 film based on the book of the same title by author Jennifer Weiner, successfully glossed over the fact that the protagonist and her sister were Jewish. The only glimpse of explicitly Jewish content was the kippot worn at a wedding.

Although unavailable for comment at press time, in a 2005 interview with the Jerusalem Post, Weisberger noted how Jewish characters are a necessary element to her work.

“I can’t imagine constructing a single’s life and her family’s life without them being Jewish,” Weisberger explained.

And despite the producers’ efforts, the on-screen character of Andy Sachs remains true to her roots and comes across as a Jewish girl all the same.

“The Devil Wears Prada” opens this week in theaters.

 

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