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Spectator – Sweet Music Amid Turmoil

Summing up her experience, Schramm observes, \"If we look at the headlines, we see generalities. But when we look at one individual, we see more deeply.
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October 20, 2005

Those who have followed the documentaries produced by the Simon Wiesenthal Center know what to expect: Films like “Genocide,” “Liberation” and “In Search of Peace” that hit you right between the eyes and in the solar plexus.

Thus, it is more the surprise that its Moriah Films division’s latest documentary, “Beautiful Music,” a 39-minute film narrated by Brooke Shields, proves to be sensitive and understated. “Beautiful Music,” directed and written by the Wiesenthal Center’s Richard Trank, was based on original material by Trank and Rabbi Marvin Hier.

It’s about a blind and autistic Arab girl who blossoms into a musical savant under the tutelage of a caring Jewish piano teacher.

Rasha Hamad, who is deaf and blind like her younger sister, is locked into a small room with her sibling by their parents and later abandoned. Traumatized and helpless, the girls are given a warm home in the Arab village of Beit Jala by a Dutch missionary couple, Edward and Helene Vollbehr.

The girls seem unable to respond to human contact, they beat themselves on the heads and they scream endlessly. But then the Vollbehrs notice that Rasha calms down when listening to classical music and shows an amazing aptitude for playing the piano.

The Vollbehrs turn to the Jerusalem Conservatory of Music, where Rasha is entrusted to Devorah Schramm — although the task is daunting even for this devoted teacher. While Rasha’s piano playing keeps improving, and she even starts to compose her own music, it takes two or three years of daily lessons before Rasha shows any signs of bonding with her teacher. Rasha also suffers when the larger world around her goes awry, when Scuds fall during the 1991 Gulf War or during the terror of the two intifadas.

With calmer days, Rasha picks up again, The last scene shows her performing a Chopin sonata, joined by Jewish classmates, to the applause of the Jewish audience, which had pitched in to pay for her lessons.

Summing up her experience, Schramm observes, “If we look at the headlines, we see generalities. But when we look at one individual, we see more deeply.”

The film will screen at the Hollywood Film Festival on Sunday, Oct. 23 at 3:30 p.m. at the Arclight Theatres, 6360 Sunset Blvd., Los Angeles. For information visit www.hollywoodawards.com/screenings.

 

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