Of course, this is a gross oversimplification that does an injustice to both Zohar and Millo, but in essence, the remarkable and swift victory of Israeli forces in 1967 tore a veil of insecurity off the standard cinematic discourse around issues of Zionism and personal self-sacrifice and gave the nation\’s filmmakers the right to a certain heroic panache without-guilt. It was a sunny day that lasted only a short while, ended by the storms of the Yom Kippur War a mere six years later, but it was quite real.